The Orchestra

The Isle of Wight Symphony Orchestra (IWSO) is the only orchestra to bring a regular programme of classical music to audiences on the Island. It is run by its members on a voluntary basis and is formed of professional and retired professional local players, music teachers, students and strong amateur players. In order to cover the repertoire, the Orchestra regularly engages professional players to play with it. The quality of performances and the popularity of programming have built audiences over the last 5–10 years so every performance is usually sold out and there is a waiting list for season tickets. Much of this is due to the high expectations, careful rehearsal and inspired programming by Musical Director, Jonathan Butcher.

The Orchestra has earned a reputation as an ensemble that works well with emerging international soloists. Many of the most talented young soloists regularly travel down to perform with us and many keep returning to the delight of our audience. The list reads as a Who’s Who from BBC Young Musician of the Year finalists, international competition and prize winners who have all performed with the greatest orchestras in the UK and across Europe in all the major concert halls. Bringing this quality of soloist to Island audiences at affordable prices is one of our major objectives as an orchestra.

Another key objective for the Orchestra is to serve as a seed-bed for talented local players who progress from the Isle of Wight Music Centre. Many of these go on to become full members and make up the future of symphonic music on the Island. Others go off to music college or University with a very strong apprenticeship in orchestral playing under their belts.

As well as great symphonic music, the Orchestra programmes an annual concert of shorter, often well-known pieces around a theme, for example Last Night of the Proms, Festival of the Sea, American Independence Celebrations or Movie Themes. These more relaxed concerts are a perfect introduction to orchestral music for younger audiences as well as those who just enjoy a great tune.

The Orchestra often joins forces with other local ensembles to perform larger-scale, often choral music. Over the years this has brought some very large pieces to the Island, seldom heard outside of large cities—Britten’s War Requiem, Elgar’s Dream of Gerontius, Vaughan Williams A Sea Symphony—as well as providing players for local choirs and events.

Thanks to sponsorship from Wightlink, the loyalty of its audience and the commitment of its members, the Orchestra remains in a healthy state. Having weathered the storm of COVID-19 which forced us off the stage for over a year, we are very much looking forward to moving ahead with our commitment to providing high-quality symphonic music,, bringing talented soloists to Island audiences, offering a progression route for young Island orchestral musicians, supporting other local ensembles and delivering an annual, more relaxed orchestral experience.

Jonathan Butcher

Jonathan Butcher (Conductor)

Jonathan Butcher is an experienced and versatile conductor, whose repertoire not only encompasses all the major orchestral, choral and operatic works but also includes a large selection of both 20th and 21st Century compositions. He has a particular passion for the chamber orchestra repertoire and is much admired for his work with young people and students, most notably as conductor of the Bromley Youth Symphony Orchestra. Jonathan also conducted orchestras at the Royal College of Music for some twelve years. 

Whilst studying at the Royal College of Music, where he was awarded a Foundation Scholarship, he won all the major conducting prizes, including the Sir Adrian Boult Conducting Scholarship (on three consecutive occasions), The Arthur Bliss Prize and a Leverhulme Studentship for further study, which he utilised to attend the Tanglewood Summer School in the USA. His teachers have included Leonard Bernstein, Jan Stulen, André Previn, and Seiji Ozawa, but his major influence and inspiration was the great Strauss scholar and a recognized authority on the orchestra, Norman del Mar.

Jonathan has worked with many orchestras and ensembles, including the London Mozart Players, Royal Philharmonic Concert Orchestra, English Symphony Orchestra, New London Orchestra, Guildford Philharmonic Orchestra, National Centre for Orchestral Studies, Divertimenti, London Bach Orchestra, Promenade Orchestra of Radio Hilversum in Holland, Surrey Sinfonietta, National Orchestra of Malta and the Staatsphilharmonie Rheinland-Pfalz. On the lighter side he has conducted two Hoffnung Concerts in Munich and in 2004, Jonathan conducted several New Year concerts in and around Ludvigshaven, Germany. He also conducted the Family and Prom style concerts at the National Trust house, Polesden Lacey, for many years. At present, Joanthan holds musical directorships with four orchestras and is Artistic Director of Surrey Opera, with whom he has conducted and directed many acclaimed productions. Jonathan also teaches choral singing at the Royal Academy of Art and is a member of the Royal Society of Musicians.

Recent musical activities include the World Première of Madeleine by David Hackbridge Johnson, for which Jonathan also constructed the libretto. He returned to the world-famous Minack Theatre in Cornwall with a new production of Don Giovanni.

Upcoming Concerts and Events

Dmytro Fonariuk, Clarinet

Dmytro Fonariuk, Clarinet

Saturday 18th May 2024, 7.15pm Scenes from the Humber, Anthony Hedges Introduction, Theme and Variations, Gioacchino Rossini Soloist: Dmytro Fonariuk Night On Bare Mountain, Modeste Mussorgsky Concertino in E flat, Carl Maria von Weber Soloist: Dmytro Fonariuk Symphony No.2 in B minor, Alexander Borodin A musician of wide artistic tastes and talents, Anthony Hedges was initially educated at Bicester Grammar School. While there he became Organist of his local Methodist Church before heading to Oxford to study music. His abiding love of Yorkshire, including its dales and moors, developed during his years of National Service. He later moved to the East Riding which inspired a number of major works, not least the Scenes From The Humber which celebrated the Humber Bridge. Gioacchino Rossini is well known for his operatic output yet retired from composing in his early forties to concentrate on his other great loves —eating and drinking. His Introduction, Theme and Variations was composed when he was just 18 years old as a student project at the Bologna Conservatory of Music. It remains one of the most popular virtuosic works for clarinet to this day. The IWSO welcomes the you Ukrainian clarinettist, Dmytro Fonariuk, to perform with us for […]

Thomas Luke, Piano

Thomas Luke, Piano

Saturday 6th July 2024, 7.15pm Fanfare from La Péri, Paul Dukas Festivities, Roy Douglas Warsaw Concerto, Richard Addinsell Soloist: Thomas Luke Dance of the Hours, Amilcare Ponchielli Orb and Sceptre, William Walton Three Card Trick Suite, Pam Wedgwood Party Piece, Richard Rodney Bennett Billy The Kid, Aaron Copland Paul Dukas’ La Péri is a 1912 ballet in one act and is about a man’s search for immortality and an encounter with a mythological Péri (a winged, fairy-like creature). The original music to the ballet was written in 1911 as a Poème Dansé En Un Tableau (Dance Poem in One Scene), and was Dukas’ last published work. The opening fanfare is often performed separately and is a fitting start to our concert. Festivities, an orchestral overture by British composer Roy Douglas, was written 1972. Although having a large output of his own, Roy Douglas worked alongside Ralph Vaughan Williams, William Walton and Richard Adinsell as editor, copyist and amanuensis. his favourite recreation was motorcycling, travelling throughout England on a Triumph 200cc Tiger Cub until his doctor ordered him to stop after his 80th birthday Roy Douglas also orchestrated Richard Adinsell’s music for the 1941 film Dangerous Moonlight, which contained the popular […]